Yogataravali Verse 10: Magnificence of Keval Kumbhaka

सहस्रशः सन्तु हठेषु कुम्भाः
संभाव्यते केवलकुम्भ एव ।
कुम्भोत्तमे यत्र तु रेचपूरौ
प्राणस्य न प्राकृतर्वैकृताख्यौ ॥१०॥

A Working Translation

"Let there be thousands of kumbhakas in Hatha Yoga;
yet it is only Kevala Kumbhaka that is truly esteemed.
For in that supreme kumbhaka,
the exhalation and inhalation of prana are neither natural nor artificial."


1️⃣ "सहस्रशः सन्तु हठेषु कुम्भाः"

"Let there be thousands of kumbhakas in Hatha Yoga."

This is not criticism of Hatha Yoga.

Rather, Shankara acknowledges the multitude of pranayama methods described in texts such as:

  • Hatha Yoga Pradipika
  • Gheranda Samhita
  • Shiva Samhita

These traditions describe numerous kumbhakas:

  • Surya Bhedana
  • Ujjayi
  • Bhastrika
  • Sitali
  • Sitkari
  • Bhramari
  • Murccha
  • Plavini

and many variations.

Shankara says, in effect:

All of these have their place.

But then he points beyond them.


2️⃣ "संभाव्यते केवलकुम्भ एव"

"Only Kevala Kumbhaka is regarded as supreme."

The word eva ("alone", "indeed") is emphatic.

Why?

Because all other kumbhakas involve some degree of:

  • deliberate effort,
  • regulation,
  • technique,
  • intervention by the practitioner.

Kevala Kumbhaka is different.

It is not a technique.

It is a state.

A useful distinction:

Sahita Kumbhaka Kevala Kumbhaka
Done by the practitioner Happens spontaneously
Technique State
Effort present Effort absent
Breath controlled Breath naturally ceases
Practice Fruition

This directly echoes verses 8 and 9.


3️⃣ The Difficult and Interesting Part

कुम्भोत्तमे यत्र तु रेचपूरौ

प्राणस्य न प्राकृतर्वैकृताख्यौ

Let's examine this carefully.

Prākṛta (प्राकृत)

Means:

  • natural,
  • ordinary,
  • arising from the normal condition.

The ordinary breathing cycle is prākṛta.


Vaikṛta (वैकृत)

Means:

  • modified,
  • altered,
  • artificially produced,
  • manipulated.

In yogic context, controlled breathing practices belong here.


Thus Shankara says:

In the highest kumbhaka,

the inhalation and exhalation are neither:

  1. ordinary natural breathing,
  2. nor artificially modified breathing.

4️⃣ This is an Extremely Subtle Statement

Normally there are only two possibilities.

First possibility

Breathing occurs naturally.

You are simply breathing.

This is prākṛta.


Second possibility

You consciously regulate breathing.

You lengthen,
shorten,
hold,
count,
control.

This is vaikṛta.


Shankara introduces a third possibility.

A state where:

  • breathing is not occurring in its ordinary way,
  • yet it is not being controlled either.

This is the paradox of Kevala Kumbhaka.


5️⃣ Relation to Samadhi

Many yoga and tantric texts observe that in deep absorption:

  • breath becomes extraordinarily subtle,
  • sometimes appearing to stop,
  • without conscious effort.

The practitioner is not "holding" the breath.

Nor is the ordinary respiratory rhythm active in the usual manner.

This is what the verse is pointing toward.

The key point is not respiratory mechanics but the underlying state of consciousness.


6️⃣ Connection with Earlier Verses

Notice the progression:

Verse 8

Kevala Kumbhaka arises from the ripening of practice and dries up the flow of sensory engagement.

Verse 9

It blossoms in attentive practitioners when the movements of breath and mind become still.

Verse 10

Now Shankara declares:

Among countless kumbhakas, this alone is supreme because it belongs to neither ordinary breathing nor deliberate control.

The progression is remarkably systematic.


7️⃣ A Deeper Vedantic Reading

Shankara's wording suggests something beyond physiology.

Ordinary breathing belongs to the realm of habitual activity.

Artificial breathing belongs to the realm of intentional activity.

Kevala Kumbhaka belongs to neither.

It stands between—or beyond—both.

This mirrors a recurring Advaitic theme:

  • neither action nor inaction,
  • neither effort nor non-effort,
  • neither doing nor not-doing.

The highest state is not achieved by forcing; it appears when the mechanisms of effort themselves become quiet.


8️⃣ Essence of the Verse

The central message is:

There may be innumerable pranayama techniques, but Kevala Kumbhaka alone is called the supreme kumbhaka because in it breathing is neither ordinary nor deliberately controlled; it is a spontaneous stillness arising from profound yogic absorption.

This verse is one of the clearest statements in the text that Kevala Kumbhaka is not merely a respiratory practice—it is a sign of a transformed state of consciousness.

 

Yogataravali Verse 8: Keval Kumbhaka

बन्धत्रयाभ्यासविपाकजातां
विवर्जितां रेचक-पूरकाभ्याम् ।
विशोषयन्तीं विषयप्रवाहं
विद्यां भजे केवलकुम्भरुपाम् ॥८॥


1️⃣ Direct Meaning

“I adore that Vidya (inner knowledge/power)
which arises from the maturation of practice of the three bandhas,
which is devoid of inhalation (puraka) and exhalation (rechaka),
which dries up the flow of sense-objects,
and which is of the nature of kevala kumbhaka (spontaneous breathless state).”


2️⃣ Key Terms (not just technical, but experiential)

Bandha-traya (Three Locks)

  • Mula bandha
  • Uddiyana bandha
  • Jalandhara bandha

These are not just muscular locks. In deeper practice, they regulate prana flow, especially forcing prana into sushumna.


Abhyāsa-vipāka-jātām

This is crucial.

  • Abhyāsa = sustained practice
  • Vipāka = ripening / digestion / maturation
  • Jātām = born from

👉 This state is not created suddenly, but ripens naturally.


Vivarjitām rechaka-purakābhyām

“Devoid of inhalation and exhalation”

This is not forced breath retention.

👉 It indicates automatic cessation of breath — not willful holding.


Kevala Kumbhaka

The heart of the verse.

Unlike:

  • Sahita kumbhaka → controlled (with inhalation/exhalation)

Kevala kumbhaka
Breath stops on its own, without effort.

This is a known state in texts like Hatha Yoga Pradipika:

“When breath becomes spontaneous and still, without puraka and rechaka, that is kevala kumbhaka.”


Vishaya-pravāhaṁ viśoṣayantīm

“Drying up the flow of sensory objects”

This is deeply psychological.

  • Vishaya = sense objects (forms, thoughts, desires)
  • Pravaha = continuous stream
  • Vishoshana = drying up

👉 Not suppression.
👉 The interest in objects dissolves.


3️⃣ What is actually being described?

Let’s connect this with your earlier insight about mind, heat, and stabilization.

This verse describes a stage where:

  • Prana stabilizes in sushumna
  • Breath naturally suspends
  • Mind loses its oscillation
  • Sensory pull dries up

This is not effortful meditation anymore.

It is closer to:

👉 “Effortless inner suspension”


4️⃣Important Clarification (very often misunderstood)

This is not a breathing technique to practice directly.

If someone tries:

  • “Let me stop breath”
    → it becomes strain, not योग.

Here:

  • Bandha → Prana regulation → Sushumna activation → Mind quiet → Breath stops

👉 Breath stopping is effect, not cause.


5️⃣ Subtle Insight

Notice the word:

विद्यां भजे — “I worship that Vidya”

Shankara is not calling this:

  • technique
  • kriya

He calls it:

👉 Vidya (Knowledge / Direct Knowing)

Meaning:

Kevala kumbhaka is not just physiological — it is cognitive.

When:

  • mental movement stops
  • pranic fluctuation stops

👉 Knower, knowing, known — collapse


6️⃣ Connection to earlier verse (Moon = mind “heated”)

mind becomes heated due to waves of thought

Now see this verse:

  • “Vishaya pravaha” = continuous flow of thoughts/objects
  • “Vishoshayanti” = drying it

👉 This is literally cooling the mind.

So:

  • Heated mind (chandra disturbed) → movement, fluctuation
  • Kevala kumbhaka → stabilization → cooling, stillness

7️⃣ Experiential Markers (practical but subtle)

When this begins (even briefly):

  • Breath pauses without effort
  • Attention becomes non-directional
  • Desire to engage with thought drops
  • Time sense weakens

But importantly:

👉 There is no feeling of “I am holding breath”


8️⃣ One-line Essence

This verse is describing:

👉 The spontaneous stilling of breath and mind arising from matured internal practice, where the world loses its psychological grip.

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